Showing posts with label tallgrass paririe. Show all posts
Showing posts with label tallgrass paririe. Show all posts

Sunday, July 22, 2018

Mid Summer and Gorgeous

 Prairie Hill Farm
photograph - © Bruce A. Morrison

The heat has just abated a little and the Black Flies (having undergone a second hatch) have finally calmed down a bit...now its the skeeters - but hey, the dragonflies, bats and swallows need to eat too!  The prairie pastures have continued to wow me...the insects, birds, grasses and forbs are giving cause to pause and watch.  Get out if you can...I know that life tends to get in the way, but a quiet walk is in order!

(Click on any image for a larger view)
 

 
 Monarch Butterfly (male) feeding on Swamp Milkweed (Asclepias incarnata) 
in the pasture here at Prairie Hill Farm
photograph - © Bruce A. Morrison


 Mass of Cup Plants (Silphium perfoliatum) in bloom in the pasture
photograph - © Bruce A. Morrison

 Big Bluestem (Andropogon gerardi) 
photograph - © Bruce A. Morrison

 Hoary Vervain (Verbena stricta) 
photograph - © Bruce A. Morrison

 Culver's Root (Veronicastrum virginicum)  
photograph - © Bruce A. Morrison

 Fairy Napkin! OK...just a dew covered spider web! 
The "little fairy" can be seen peeking out from it lair in the upper hole in the web 
(should have zoomed in on him)
photograph - © Bruce A. Morrison

 Gray-headed Coneflower (Ratibida pinnata) 
photograph - © Bruce A. Morrison

 Rattlesnake Master (Eryngium yuccifolium) 
photograph - © Bruce A. Morrison

 My favorites in the low areas of the pasture and ditches - 
Swamp Milkweed! (Asclepias incarnata)  
photograph - © Bruce A. Morrison

 Swamp Milkweed (Asclepias incarnata)
photograph - © Bruce A. Morrison

 Swamp Milkweed (Asclepias incarnata)
photograph - © Bruce A. Morrison

 Mass of Whorled Milkweed (Asclepias verticillata) - delicate little plants, balanced in the left foreground by spikes of Sideoats Grama (Bouteloua curtipendula) 
 photograph - © Bruce A. Morrison

 Mass of Whorled Milkweed (Asclepias verticillata)
 photograph - © Bruce A. Morrison

 Wild Bergamot (Monarda fistulosa) 
photograph - © Bruce A. Morrison

The prairie keeps changing - hopefully I can keep up and record it...if you get a chance - get out and enjoy it!!! 
 

Monday, June 17, 2013

Father's Day Morning

Father's Day Sunrise
photograph © Bruce A. Morrison
(click on image for a larger view)

What a drop dead Father's Day morning it was!  Really beginning to actually feel like June now...about time - the month's half over!  

I originally went out to photograph the Little Sioux River Valley in the fog that lays over the river like a thick blanket this time of the year, but it stayed socked-in for a good 2 hours as the sun rose and I could not find openings for shooting.

After photographing the sun breaking through the horizon (image above), I walked over to the hilltop at the Prairie Heritage Center and checked out the small Bison herd there to see if there were any photo opportunities there.  The Bison were pretty obscured too but I kept waiting to see if they'd ever emerge.  

Breaking Sky On The Tallgrass
photograph © Bruce A. Morrison
(click on image for a larger view)

Eventually the sky did open above the Bison, and even though there was a patchy haze over the ground, I decided to give it a try and made  a series of images that worked fairly well...the Bison were still a bit hazed over but the feel of the ground and background fog with the great swirling sky cloud pattern had a nice feel to it.  I think the only thing that'd make this a "dream" image would have been about 50-60 more Bison!

A nicer day couldn't have been asked for...well, the mosquitoes were rather ravenous but nothing good bug netting and gloves and hooded sweatshirt couldn't cure :)   OK, things could always be better but I'm not complaining, looking back on the morning.

Hope your day was good...here's to our Fathers...still with us and departed.  God Bless 'em! 

Tuesday, February 22, 2011

Winter Work at the Studio

"Tallgrass Songster"
8X18" color pencil rendering
© Bruce A. Morrison
(click on image for a larger view) 

I'm still here plugging away in the studio!  I finally finished a piece that is about the third attempt to an idea I first got 6-7 years ago.  The "star" of the show is a male Dickcissel belting out it's name, in song form, among the Tallgrass Prairie in bloom.  The bird is taken from a study I did, which is now in the permanent "drawing collection" of the Leigh Yawkey Woodson Art Museum in Wausau, Wisconsin.  I have been trying to find a "home" for my study and this is my first "finished" attempt to see if I have!  The foreground is a mix of forbs in a prairie remnant near us that Georgie and I often explore.  The Echinacea (purple coneflowers) are of our county's true native population - Echinacea angustifolia, or "Narrow-leaved Purple Coneflower".  The male Dickcissel is proudly belting out it's name, the call from which the bird was named (virtually sounds like Dick, Dick, cissel).  This is a larger piece for me with color pencil...I find the medium can be exasperating at times and generally stick with small studies instead...but I persevered and finished it this week.  
"The Ritter Elevator"
11X19" oil painting
© Bruce A. Morrison
(click on image for a larger view)
Another work finished earlier, was an oil painting that was "kind of" different for me; it was a commissioned work done for a client commemorating (if-you-will) her trips to the grain elevator with her father, back when she was a child.  The elevator is one I'm very familiar with, have driven past and around it for 30+ years.  What I didn't know were some of the history and stories behind the "Ritter Elevator" - was fun to research and depict the elevator during the early 1950's!  The red IH box truck was my client's father's truck.  I took the rest of the vehicles from the area and other sources...the red tractor is my neighbor's father's Farmall "M" and their flarebox wagon (did repaint that a different color though).  I do like doing work depicting the agricultural environment/landscape and felt this was actually a good fit.  I've said it before and will likely again - the Tallgrass Prairie made this state what it is today and without that natural heritage, we would not have that "black gold" the prairie gave us - the soil.  After handing the painting over to it's new owner, I asked her if I could have permission to share it with you here - she was very happy to!

My first "Morrison's Studio Newsletter" (Vol.1, No.1) went out today!  If you'd like to sign up for it, there's a link to the form right along the sidebar to this blog...if you get this blog via e-mail you can go directly to the form by way of this link -

Hope your work has been going well this winter!  Stay safe!


Friday, November 19, 2010

In The Neighborhood

"Little Sioux Autumn Sunrise"
5X16" color pencil rendering © Bruce A. Morrison
(click on image to see a larger view)

Chilly gray November days have kept me in the studio, and that's a good thing as I've been busy with several projects and some commissioned works.

One piece I've been working on was just finished and framed this week; its another color pencil and is in a panoramic format.  Not a large piece, but slightly bigger than most of my recent color pencil pieces - approximately 5X16". All my color pencil work is done from my own photographs, and its not hard to see that photographic influence on these pieces.  I do "edit" in my head while working on these pieces, but the original influence is still evident.  This is an early autumn landscape; the corn is still in the fields and the trees are only just beginning to turn.  The view is "in the neighborhood", as I like to say...probably 10 miles from the studio "as the Crow flies".

As I've said in the past, I see many things out here on the prairie in panoramic terms...it's not hard, most landscapes out here are sweeping. I could isolate the elements that make up these vistas, and often times I do; this is part of a view I enjoy again and again, and has much significance to it.

The vantage point I am standing on for this scene is on the old "O'Brien No.1" site.  In the early 1940's, state botanist Ada Hayden was given a grant of $100 to travel the state and find existing prairie remnants "of importance".  This location, now part of the Waterman Prairie complex, was one such location Ada recommended for preservation; she designated it as O'Brien No.1.  The site was finally preserved in the mid 1990's; took long enough (!) but thankfully we finally got it right!

This view is also of geological significance.  This is the view from above a 10-15 thousand year old remnant "Hanging Valley", the former river bed of the river flowing below (Little Sioux River). 

The area was also home to the Mill Creek Culture, which inhabited the valley as late as around 1150 AD; there are over 80 village sites along this valley and up to where our studio is!

AND this is also the location of our earliest settler (pioneer) homesteads...a lot of natural, cultural and geological heritage happening here!

This original piece is hanging in the studio here and can be viewed any time I'm here...just give me a call or stop by and chance your luck of me being around!  All my information, address and phone number can be found on our web site at http://www.morrisons-studio.com .

Tallgrass prairie, glaciers, native americans and pioneers - does it get any better than this?!?!  Gotta' love it!

Monday, July 12, 2010

Workin' It and Enjoyin' It

"Late Summer Afternoon"
(12X16" oil on mounted canvas)

There is so much going on out on the prairie these days; keeping up is not realistic but taking advantage of just "some" opportunities here is even tough!

I have been very involved in work on one end of the spectrum...just finished another client's website so was able to put in a little painting time again.  We've had so many amazing skies here the past several weeks and I love painting skies...this "Late Summer Afternoon" painting was one that typically presents itself out west of the "back 80" here, however this time I made up the foreground...the back 80 is in soybeans this summer and just not so interesting visually.  Since this was a plein air study, the foreground was actually put in a few days later back at the studio after some "pondering"; but still done with brief  efficiency of brushwork.

I've been making excursions afield when I'm able and have been back logged with image file processing...I'll post more on the summer prairies in the neighborhood when I get more caught up.

Work it and enjoy it!