Winter artwork is something many artists avoid...maybe if you're stuck in the studio during the winter you'd prefer working on something "warm"!? I'm not sure of the psychology behind it all but I do know that "winter" paintings, drawings, photographs, etc. do not sell well with the public. Photos can be the exception with publications however, magazines often find they are short on sources for winter images...but I do think that's an exception.
I find I do about one "winter" piece every year and I usually do it with my Christmas card in mind. I do have years when I'm pressed for time and just use a photo (as I've done the past 2-3 years), but I've used artwork in my Christmas cards since 1966.
Often I find the artwork used for a particular card ends up being the springboard for a bigger idea. The piece above is a painting I did after doing a small serigraph (the fine art term for silkscreen print) for a Christmas card. Serigraphs are really good for graphic presentations and I took an Eastern Red Cedar that was heavily laden with new snow and made a small design out of it. After seeing the graphic presentation of the card, it reminded me of some paintings done by members of the Canadian "Group of Seven" (Love their work - they've been a quiet influence on me since I first discovered them in the 1970's.)
Georgie and I have had a conversation concerning Christmas Cards...we see a definite decline in cards sent over recent years. With postage getting more expensive, more people opting for a "Christmas" letter, and more people writing less and less or communicating less and less on paper. Is this something anyone out there is seeing as well?
Back to the beginning thought; winter artwork and small pieces leading to bigger work...at least my Christmas card experiences have led to some good exercise for me! I'll try and show some winter card work in the future.