"Tallgrass Songster"
8X18" color pencil rendering
© Bruce A. Morrison
(click on image for a larger view)
I'm still here plugging away in the studio! I finally finished a piece that is about the third attempt to an idea I first got 6-7 years ago. The "star" of the show is a male Dickcissel belting out it's name, in song form, among the Tallgrass Prairie in bloom. The bird is taken from a study I did, which is now in the permanent "drawing collection" of the Leigh Yawkey Woodson Art Museum in Wausau, Wisconsin. I have been trying to find a "home" for my study and this is my first "finished" attempt to see if I have! The foreground is a mix of forbs in a prairie remnant near us that Georgie and I often explore. The Echinacea (purple coneflowers) are of our county's true native population - Echinacea angustifolia, or "Narrow-leaved Purple Coneflower". The male Dickcissel is proudly belting out it's name, the call from which the bird was named (virtually sounds like Dick, Dick, cissel). This is a larger piece for me with color pencil...I find the medium can be exasperating at times and generally stick with small studies instead...but I persevered and finished it this week.
"The Ritter Elevator"
11X19" oil painting
© Bruce A. Morrison
(click on image for a larger view)
Another work finished earlier, was an oil painting that was "kind of" different for me; it was a commissioned work done for a client commemorating (if-you-will) her trips to the grain elevator with her father, back when she was a child. The elevator is one I'm very familiar with, have driven past and around it for 30+ years. What I didn't know were some of the history and stories behind the "Ritter Elevator" - was fun to research and depict the elevator during the early 1950's! The red IH box truck was my client's father's truck. I took the rest of the vehicles from the area and other sources...the red tractor is my neighbor's father's Farmall "M" and their flarebox wagon (did repaint that a different color though). I do like doing work depicting the agricultural environment/landscape and felt this was actually a good fit. I've said it before and will likely again - the Tallgrass Prairie made this state what it is today and without that natural heritage, we would not have that "black gold" the prairie gave us - the soil. After handing the painting over to it's new owner, I asked her if I could have permission to share it with you here - she was very happy to!
My first "Morrison's Studio Newsletter" (Vol.1, No.1) went out today! If you'd like to sign up for it, there's a link to the form right along the sidebar to this blog...if you get this blog via e-mail you can go directly to the form by way of this link -
Hope your work has been going well this winter! Stay safe!